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Album Review: Brighter Side by Lamisi

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Album Review: Brighter Side by Lamisi
Album Review: Brighter Side by Lamisi. Photo credit: Lamisi Music

The year has so far been a feature of the regular, albeit, nonchalant back and forth of artistes trying to out do each other through social media.

So much is this desire that the music consumer has shifted from looking for original music pieces to listen to, to now looking ahead to petty feuds to further stoke more flame.

We needed a break from all of this nonsense and that excitedly, is what Lamisi’s ‘Brighter Side‘ album does without much stress.

Attention grabbing, vocal poignancy exploding with sweet layers of musical instruments, the 2019 album by Lamisi is one that you should not only listen to in these times of quality music starvation, but one that you should also own to evidently show others where you were when Lamisi finally broke free and let loose her immense talent.

Not a lot is mentioned of the female artist in the our Ghanaian music industry.

Heck!, not a lot are spoken and written of artistes who are genuinely giving us timeless works. But if you find yourself reading this, read it aloud The Brighter Side album will coerce you into becoming a Lamisi “Stan”.

You might doubt the last sentence understandably but when you press that play button, you will get to full immerse yourself into that the appreciativeness that it fully deserves starting from track 1.

‘Karika Tanka’ is a blend of vintages 1990’s African lore music backed by locally brewed instruments giving off melodies that will hook you on.

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Reminiscent of an Angelique Kidjo piece, ‘Karika Tanka’ serves its most important purpose perfectly by getting your attention for the songs to come next.

Now, read this well, don’t be swayed into thinking that the Brighter Side album wont be filled with diverse songs like most recent Ghanaian album do because it actually is! On ‘Oh Me’, Lamisi bares it all in an emotional song whiles leaving an audible mark with her unique vocal performance. Such is her performance!!!

Six songs into the ‘Brighter Side’ album and one point is evidently visible, Lamisi has given us her all.

You might rightly argue about that with how average ‘The Way You Control’ sounds when compared to the previous songs but on ‘First Fool’, ‘Munafiki’ and ‘Zahanga(Dreams)’ Lamisi’s versatile story telling skills backed by a string of great instrumentation totally make this album the must listen to that it should be.

Finally we get to the titular track, Brighter Side, in 7th position.

‘Brighter Side’ beams with the luminesce that it carries in its name with a subtle touch of trumpets complimenting Lamisi’s voice and lyrics.

Coupled with a catchy hook and unmissable adlips, ‘Brighter Side’ perfectly deserves to be titled so. This is the song off the album that deserves the early morning treatment.

You put on replay and forget it is the same song repeating it self whiles enjoying it. It is that good!

Photo: Lamisi launches Brighter Side album with a virtuoso concert

The rhythms of the drums bellowing out sweet sounds of perfection make the 9th track, ‘Fama Me’ a standout on the album.

Vividly with 3 more songs to go, you might still be surprised that there is no glaring negative critique on one song on the album. You might be thinking if this is real, yes it is!

To put ‘Take It’, ‘Strawberry’ and ‘Kuul Ronnings’ into writing would just be a case of copy and paste of the earlier reactions to songs already listened to.

To say Lamisi has indeed given off her best with this album will be an understatement when you finally finish the whole album.

The ‘Brighter Side’ album should not only be on the shelves and playlists of people, but it should also be played on radio to prove that yes, we still can make good music effortlessly.

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Album Review: Bobolebobo By Evangelist I.K Aning

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Album Review: Bobolebobo By Evangelist I.K Aning
Album Review: Bobolebobo by Evangelist I.K Aning. Photo Credit: Evangelist I.K Aning

Hailing from the streets of Kumasi Bokankye in the Ashanti region of Ghana, the ‘Akurugu’ hitmaker made his first major appearance on the Gospel scene with the release of his nationwide hit single, ‘Akurugu’ out doored in 2016 and was the talk of town as at then.

Well, our Evangelist is out again reverberating his voice throughout the nation with another indigenous conscience-pricking VGMA nominated hit song well known as ‘Bobolebobo’ which is apparently the title track of his latest album.

The word ‘Bobolebobo’ is a coinage adopted from the northern language of the Dagombas originally pronounced as ‘Buom’ which directly translates as ‘Bonfire’.

The artiste therefore shortened the ‘Buom’ word to ‘bo’ and included ‘le’ as a lyrically creative skat that would link up the repetitive ‘bobo’.

So, in general, ‘Boboebobo’ simply refers to the Fire that awaits every unrepentant heart at the second coming of Jesus Christ.

This album, which was released later on in 2018, adds up to 5 albums already produced to his credit and consists of 9 songs including Atinka, Wo Kramanba, Patience, Adeakye, Adepa, Gyedi, Bobolebobo, Bobolebobo (Highlife) and One Day! One Day!

Each song carries an evangelistic message of repentance, salvation and the intricacies of daily Christian living, tailored to confront the status quo in these end times.

A careful assessment of each song, except for Adeakye, Adepa, Patience and Gyedi, reveals the much talked about ‘Bobolebobo’ to be a mere introduction to a rather detailed sogul-piercing and lengthy sermon, on the need to eschew all forms of vices, both great and small, and turn on a new leaf so as to make heaven when the master of all creation returns for His final judgement.

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‘Wo Kramanba’ is one of such songs on the album that zooms in into the issue of every individuals’ inevitable sinful weakness.

The song title literally translates into ‘little foxes’ of which the good book admonishes to take heed to, and deal with, before time turns it into a full-grown wild beast that deprives you of entering eternity.

One could barely ignore the humorous yet creative and advisory inculcation of the bark of a puppy while listening to what seems to be a series of well-crafted allegoric lyrics fine-tuned to an upbeat danceable highlife instrumentation that cushions listeners from the intense mental bashing the music exudes to its culprits.

I can’t say the same for the other songs such as Adeakye, Adepa, Patience and Gyedi, which are more geared towards being songs of petition, blessings from God, the virtue of patience and the Christian attribute of faith in God, respectively.

Nevertheless, I must admit that the predominantly Twi lyrics of most of the songs are structured in both fictional and non-fictional story telling patterns that can be easily connected with, understood and assimilated by the everyday Ghanaian.

However, the only contradiction I may have to the entire project in relation to the message of repentance and salvation being extensively preached, is the necessary further admonishing to all listeners about the provision of God’s grace to overcome each vice listed in there….

And Oh, I can completely vouch for a fact that your own vice is enlisted somewhere in there so go get yourself a copy of the entire album and dance away your secret weakness.

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You could call this the gospel version of Sarkodie’s Advice, straight from the mouth of an experienced evangelist to every struggling sinner and saint alike.

Also, one other notable thing about this album is the duration of each song.

The song with the least duration is 5mins 48 secs and that of the lengthiest is 7 mins 21secs, and all 9 songs sum up to give a playback time of 58mins 6secs, which serves as a downside to the standard 4-minute song duration slot, radio stations employ these days.

The cover art of the album is nothing to write home about, comparing it to modern trends of graphic designing, come on, this is the 21st century, but then it must be said for a fact that the artiste tackles issues that most gospel artistes tend to avoid in their songs and he delivers it unapologetically, hitting the nail right on the head.

Aside these, the album has great content and carries a message across than many of the gospel songs out there and on the level of an indigenous production targeted for the local market, I would say it’s fairly a good work done.

So, keep ‘em coming Evangelist and congrats on your nomination for Most Popuar Song of the Year at the 2019 VGMA.

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Album Review: Flame by Rosel Pomaney

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Album Review: Flame by Rosel Pomaney
Album Review: Flame by Rosel Pomaney. Photo Credit: Rosel Pomaney

In a bid to break the seeming hegemony of Afrobeats dominated Ghanaian music industry, Rosel Pomaney’s Flame takes you on a soul filled journey during which you experience all the emotional rollercoasters attached to the one thing that the human cannot control, love. (more…)

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Album Review: Shatta Wale – Reign

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Album Review: Shatta Wale - Reign

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